No idea what works, or why
One post does five times the numbers of the rest and nobody can say why it did. Without a run of them to compare against, every next post is a guess, and so is the budget.
More video than your team can make.
Short-form video for brands that already run channels, and the campaigns that put it in front of more people. We produce it, we publish it, and we run the ads on your own account.
More engagement or your money back. Twenty minutes, no pitch.
We see up close where it stalls. One editor, one creator and one calendar put a hard ceiling on output, and pushing past it runs into the same three walls every time: no read on what actually works, almost no creators in the niche, and no fixed price for a thousand views.
One post does five times the numbers of the rest and nobody can say why it did. Without a run of them to compare against, every next post is a guess, and so is the budget.
Finding people who actually fit your subject takes weeks, and the ones who do are already booked. One in forty answers, and that one asks a rate you had not budgeted for.
With ads you pay again for every next view, at whatever price the market sets that week. What a thousand views cost you this month says little about next month or the one after.
Luckily, you have
SOCOCO
Attract, convert and fulfil, each part built with AI and each one in your name. You start with the step that is holding you back, and it keeps running without a team having to grow around it.
We are the team that makes it and publishes it, so yours can get on with everything else.
Whichever service you pick, scaled up to the volume your own team could never reach. No recruitment, no chasing freelancers.
Every clip and every UGC video is yours, unlimited, paid campaigns included. So alongside a channel you build an ad library, without a second invoice.
You pay a monthly fee and a CPM above your threshold. What that is sits in your quote, not on this page. Tool licences are passed through at cost.
Accounts, raw material, clips. Walk away and you take all of it with you.
On your own profiles or on separate channels, across every platform your audience uses. We plan, publish and push the volume up as far as the numbers keep paying off.
Your long-form, your product, your brand. Three separate services, each one bookable on its own. You pick the one that fits, we scale it across the channels you already run, and campaigns on your own ad account put the best of it in front of more people.
Vertical, made to be watched without sound, and cut so the first second does the work. Three formats, three ways to get more out of what your brand already has.
| SOCOCO | In-house | Clippers | Ads alone | |
|---|---|---|---|---|
| We publish, every day | ja | nee | nee | n/a |
| Fixed number of videos a month | ja | nee | nee | nee |
| Cost | €€ | €€€€ including salary | € | €€€ |
| Time until something is live | Within 14 days | Unpredictable | Days | Immediate |
| Certainty that anything happens | High | Variable | None | High |
| Free to use as ad creative | ja | ja | Varies per clipper | n/a |
| Money back if it does not work | ja | nee | nee | nee |
| What you keep if you stop | Channel + ad library | Everything | Loose clips | Nothing |
No small print about how busy it was or how unpredictable the algorithm is. Either it is there, or it is not.
Measured on the account we pick together, against the month before we started, from the platform analytics themselves. Three months, then cancel monthly.
No menu, no upsell. Each step has one goal and you can stop after the first three months.
We go through the footage you already have, what you sell and where your audience sits. That decides where the biggest gain sits, and it sets the baseline the guarantee is measured against.
Channels are set up in your name, formats and angles are locked, and the first run is produced and approved. From here we publish and you no longer schedule anything.
Publishing and reporting every month. What wins gets more variants and more volume, what does not goes. The output grows where the numbers say it should.
It depends on the size of the job, and you set that size yourself. For clipping you set the campaign budget. For AI UGC you decide how many videos a month. For hyper animation we agree a rate per ad or film up front. Whichever you pick, the amount is fixed before we start, so there is no meter running and no invoice you did not see coming.
A person always goes over it. Clipping carries your own people and your own material, and on the UGC side you get one dedicated creator instead of a new stranger every week, the same face, locked to your brand, which is what makes it read as yours. You do not win this one with words though: there has to be video on the page.
No, views are reach, and you are buying reach already, just more expensively. Put our price per thousand next to what the same reach costs in ads alone. The difference is that this reach sits on a channel that is yours and keeps growing.
Either works. On your own profile the growth lands where you want it; on a separate channel your main feed stays clean and it is provable what came from us. We recommend the second, you choose.
Yes, unlimited and forever, on every platform. Everything we make is yours and can go into paid campaigns at no extra cost. So alongside your channel you build an ad library, and that is usually where the money shows up faster than in the organic numbers. We run those campaigns as well, on your own ad account.
There is none. Most of our production is automated, so a month that delivers nothing costs us mostly time. That is why we can make a promise an agency with an edit team cannot afford.
You do. From day one, in your name, with your access. Stop and you take the channel and the whole library with you.
Whichever step you are looking at, you deal with us directly, from the first call to the day it runs. Twenty minutes, no deck and no pitch: bring what you run now, and we tell you what we would change first.