Find the angle that fits.
We go through the footage you already have, what you sell and where your audience sits. That decides where the biggest gain sits, and it sets the baseline the guarantee is measured against.
One face that becomes your brand’s face. Picked with you, locked to your brand, and available every day of the month without a day rate or a schedule to fit around.
Typical timing: first batch live in weeks 2 to 3
We pick a creator with you and lock the look, the voice and the language. From there that same person carries every video: the hooks, the angles, the product in hand, month after month. That repetition is the point, a face people start to recognise does more than a new stranger every week.
No menu, no upsell. Each step has one goal and you can stop after the first three months.
We go through the footage you already have, what you sell and where your audience sits. That decides where the biggest gain sits, and it sets the baseline the guarantee is measured against.
Channels are set up in your name, formats and angles are locked, and the first run is produced and approved. From here we publish and you no longer schedule anything.
Publishing and reporting every month. What wins gets more variants and more volume, what does not goes. The output grows where the numbers say it should.
It depends on the size of the job, and you set that size yourself. For clipping you set the campaign budget. For AI UGC you decide how many videos a month. For hyper animation we agree a rate per ad or film up front. Whichever you pick, the amount is fixed before we start, so there is no meter running and no invoice you did not see coming.
A person always goes over it. Clipping carries your own people and your own material, and on the UGC side you get one dedicated creator instead of a new stranger every week, the same face, locked to your brand, which is what makes it read as yours. You do not win this one with words though: there has to be video on the page.
No, views are reach, and you are buying reach already, just more expensively. Put our price per thousand next to what the same reach costs in ads alone. The difference is that this reach sits on a channel that is yours and keeps growing.
Either works. On your own profile the growth lands where you want it; on a separate channel your main feed stays clean and it is provable what came from us. We recommend the second, you choose.
Yes, unlimited and forever, on every platform. Everything we make is yours and can go into paid campaigns at no extra cost. So alongside your channel you build an ad library, and that is usually where the money shows up faster than in the organic numbers. We run those campaigns as well, on your own ad account.
There is none. Most of our production is automated, so a month that delivers nothing costs us mostly time. That is why we can make a promise an agency with an edit team cannot afford.
You do. From day one, in your name, with your access. Stop and you take the channel and the whole library with you.
Whichever step you are looking at, you deal with us directly, from the first call to the day it runs. Twenty minutes, no deck and no pitch: bring what you run now, and we tell you what we would change first.